One of the films we have currently is The Babadook, a horror piece with Essie Davis. I didn't recognize her from the latter two Matrix films, but my co-usher mentioned a Australian tv series she stars in called Miss Fisher's Murder Mysteries which she recommended as utterly delightful. Davis plays Miss Phryne Fisher (pronounced FRY-knee, I discovered, rather than any of the more creative mispronunciations I had come up with before-hand). I got the first season on DVD from the library, and the 1st & 2nd seasons are on Netflix streaming at the moment, and they are wonderful. I've seen a couple of the folks I follow here on LJ mention them in passing, so I wanted to chime in and add my accolades to the mix. Gorgeous costumes, sharp wit, and social commentary that is on-point and informs the action without seeming forced. It's a period drama set in 1928 Melbourne, Australia and the first season manages to address gender expectations, (homo & hetero)sexuality, women's rights, worker's rights, racism, classism, and the fetishization of ancient history while treating the actual cultural successors of said historical 'golden ages' like crap. But you can also just watch it as a well-crafted set of murder mysteries, if you're not feeling inclined to exegesis at the moment.
The other item my interest is currently piqued by is a film SIFF Uptown will be getting in late January called A Girl Walks Home Alone At Night. The tagline claims it as the First Iranian Vampire Western, and the trailer is a beautiful noir-looking piece of black-and-white cinematography that I find really enticing. I can think of a myriad of places and ways the story could go based on what I've seen, and they are all interesting.
Then of course there are The Imitation Game, the new Hobbit, the Pingwings of Madagascar, and Jupiter Ascending as well, but they've all got their own PR machines a-rolling already. We screened a preview of Inherent Vice last night during my shift as well, and that one is going to be one that despite it being crammed full of actors I enjoy I will probably give a miss. I think it's harder to be nostalgic for the 1970s if you were actually alive during them; I was fairly young but old enough to remember a fair bit of discomfort and cognitive dissonance. But you know, we tell ourselves the stories we want to hear.